Corona Electric Beach Announces Stage Ft. Ghastly, Ookay, Ephwurd, Born Dirty, Treasure Fingers, and more 6/16-6/18

ARTISTS: Ghastly, Ookay, Ephwurd + Support
DATE:  Fri, June 16th – Sun, June 18th
TIME:  7:00PM – 5:30AM (PDT)
LOCATION: Las Vegas Motor Speedway – Las Vegas, NV
Experience all the fun in the sun with Corona Electric Beach featuring
world-renowned DJs. Traveling across the US and partnering with festival
pioneers, Corona Electric Beach is where “Beats meet the beach”.
Ghastly
Many have described the genre bending musician as a partially insane young man with a dark sense of humor. His sets have been heralded as “Energetic and eclectic live performances which are sometimes followed by odd speeches about the abnormalities of life […] and well cooked food.” It’s clear Ghastly has one thing on his mind, to change the world.
Ookay
From humble beginnings, San Diego based producer, Ookay (pronounced “Okay”) exploded onto the EDM scene and left a permanent mark resembling his now iconic bandana. With a rapidly growing fan base, due in part to his hilarious Twitter persona, Ookay has proven that age isn’t a factor and has quickly become one of the young leaders in the league of superstar Trap producers.
Ephwurd
The brainchild of Datsik and Baishaus, the duo skyrocketed to notoriety when their collab with future bass trailblazer Jauz, “Rock The Party” became a festival staple. Soon after, Ephwurd gave fans a taste of their solo flavor by releasing their first original work “Duckface” on Spinnin’ paired with a music video directed by Phil Hodges of Jim Henson Studios. With a razor-sharp production prowess and stadium-smashing performance techniques, it’s clear where Ephwurd is headed – straight to the top.
EDC Las Vegas
All Are Welcome Here! Celebrating 21 years of music, art, community & culture from Dusk till Dawn… See you Under the Electric Sky!
ABOUT INSOMNIAC
Insomniac produces some of the most innovative, immersive music festivals and events in the world. Enhanced by state-of-the-art lighting, pyrotechnics and sound design, large-scale art installations, theatrical performers and next-generation special effects, these events captivate the senses and inspire a unique level of fan interaction. The quality of the experience is the company’s top priority.
ABOUT CONSTELLATION
Constellation Brands Beer Division is the exclusive brewer, marketer and supplier of growing portfolio of high-end, iconic, imported beer brands for the U.S. market. The portfolio includes Corona Extra (the #1 imported beer in the U.S. and #5 beer overall), Corona Light, Modelo Especial, Negra Modelo, Pacifico, Victoria, Ballast Point, and Tocayo beer brands. For more information, visit  www.cbrands.com
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Hey Violet Release Debut Album From The Outside on June 16th

 

The band co-wrote all songs on the album which was produced by Julian Bunetta.  Watch the video for their new single “Break My Heart,” HERE: https://heyviolet.lnk.to/BreakMyHeartVe.

The song was included on Spotify’s New Music Friday Playlist and has racked up over eight million streams combined.  Idolator says “Break My Heart” is a “monstrous electro-anthem” and declares, the band is “destined to have a massive year.”

Alternative Press calls the track “irresistible,” while Nylon raves, “Hey Violet knows how to write a good pop hook and ‘Break My Heart’ is a testament to that. This song has spunk.” “Break My Heart” is the follow-up to Hey Violet’s smash single “Guys My Age,” which has more than 41 million combined streams, while the video has over 14 million views.

Watch the video HERE: https://www.youtube.com/watch?v=3LzWUAkpNrQ.

“Guys My Age” was named one of the Best Songs of 2016 by The New York Times, who called it “teen-pop’s revenge: an urgent dark song about sexual rebellion” and one of the 20 Best Songs of 2016 by V Magazine. Hey Violet was also nominated for a 2017 iHeart Radio award for Best Underground Alternative Band and been dubbed an Artist Primed For A Breakout in 2017 by Billboard and a 2017 Artist To Watch by The Guardian, PopCrush and more.  The band recently wrapped up a sold out North American headline tour, graced the March cover of Alternative Press, and performed “Guys My Age” on both The Late Late Show With James Corden and Late Night With Seth Meyers.  Check out their new track “O.D.D.” which Rookie Magazine says is “a track dedicated to a feeling of unrest and a lack of belonging that strikes home to many.”

Listen HERE: https://heyviolet.lnk.to/ODDYO.

Hey Violet’s Brand New Moves EP debuted as the #1 album on iTunes in the U.S., and U.K. The Los Angeles Times compared their move “from grimy punk to shiny pop” to the Go-Go’s, while Galore declared front woman Rena Lovelis, “emits an unheard of level of rock-stardom for such a small girl without even singing a single note. But when she does sing, it’s as if Courtney Love, Gwen Stefani, and Hayley Williams crashed into each other and made a whole new generation of rock star.  ”Hey Violet is Rena Lovelis, her sister Nia Lovelis (drums), Miranda Miller (keys, vocals), Casey Moreta (lead guitar) and Iain Shipp (bass).

From its very first seconds, Hey Violet’s full-length debut bursts with the unstoppable energy of a band that’s truly come into its own. Building off the gritty alt-rock of their early days and boldly expanding their sonic possibilities, From the Outside dreams up a sharp-edged pop sound full of new-wave synth and bubblegum melody, glossed-up grooves and shimmering beats.

 

In the past year, the L.A.-based five-piece have more than proven the power of their immaculately crafted alt-pop. Having amassed over 40 million combined streams since its September release, Hey Violet’s smash single “Guys My Age” was named one of the Best Songs of 2016 by the New York Times (who hailed the track as “teen-pop’s revenge: an urgent dark song about sexual rebellion”)  and one of the 20 Best Songs of 2016 by V Magazine.  Along with touring North America on a sold-out headline run, Hey Violet were recently crowned an Artist To Watch by the likes of The Guardian, PopCrush and more.  Adding to that acclaim, the Los Angeles Times lauded the band for “moving from grimy punk to shiny pop like the Go-Go’s once did,” while Billboard declared Hey Violet primed for a breakout in 2017.

 

From the Outside arrives as the follow-up to 2016’s Brand New Moves—a critically praised EP that debuted as the #1 artist album on iTunes in the US and UK. Throughout the album, frontwoman Rena Lovelis joins her sister Nia Lovelis (on drums) and fellow bandmates Miranda Miller (on keys/vocals), Casey Moreta (on lead guitar), and Iain Shipp (on bass) in turning out hook-driven pop that’s emotionally intense but massively catchy. According to Rena, whose magnetic vocal presence electrifies each song, that heightened emotionality has much to do with a creative atmosphere conducive to secret-spilling. “A lot of the time, ideas came from conversations we had in the studio about what was going on in our lives,” she says. “Everyone would open up and we’d draw from all those experiences and then turn them into songs.”

 

Produced by Julian Bunetta, From the Outside channels Hey Violet’s true-to-life subject matter into love songs both deeply romantic and defiant in attitude. The album-opening “Break My Heart,” for instance, offers up a dreamily masochistic track dubbed a “monstrous electro-anthem” by Idolator. Alternative Press calls the track “irresistible,” while Nylon raves, “Hey Violet knows how to write a good pop hook and ‘Break My Heart’ is a testament to that. This song has spunk.” On “Hoodie,” throbbing beats and wistful melody meet with painfully detailed lyrics about post-breakup obsession. “We all have those old things of our exes’ lying around the house,” says Rena, referring to the keepsake of the song’s title. “You hold onto it because you can’t let that person go, but then one day you don’t need it anymore—you can finally move on.” On “Like Lovers Do,” meanwhile, Hey Violet show the ever-expanding scope of their sound and deliver a dreamlike waltz laced with gossamer guitar lines and Rena’s beautifully spooky vocal work.

 

A different form of serenade, “O.D.D.” was conceived as “an ode to our fans who feel different and outside the norm,” as Rena explains. “I think a lot of people who listen to our music have had those moments where it’s like you were just dropped down from Mars, and you’re completely out of place on Planet Earth,” she adds. Powerfully haunting, the acoustic-guitar-laced track delicately explores isolation in its clever but cutting lyrics (“I’m the girl in the back of the class/Pink hair but I’m wearing all black”). And on “This Is Me (Breaking Up With You),” Hey Violet close out From the Outside with a gloriously hyped-up anthem fueled by crunchy guitar tones and a fiercely chanted refrain. “When we wrote that song, I sat down and listed all these things to tell the poor guy I’m breaking up with in the song—stuff like, ‘Please don’t cry, ‘cause I’m not in the mood,’” says Rena. “It’s a little sassy and a little rude, but in a way that’s so fun.”

 

For Hey Violet, a spirit of fun reigned supreme throughout the making of From the Outside. During the pre-production period, the Lovelis sisters headed out to the desert with a team of co-writers for a low-key writing camp complete with elaborate pancake breakfasts. “I have two mice—Clementine and Ramona—and I brought them with me to the camp,” Rena recalls. “We were staying right next to golf course and sometimes we’d sneak on and play golf, and I’d take my mice and let them walk on the grass. We ended up getting in trouble, but it was so much fun. What sticks in mind now is not just all these great songs we came up with, but all the beautiful experiences we had and all the memories we made with these new friends of ours.”

 

Born in New York but raised in L.A., the Lovelis sisters grew up on bands like Nine Inch Nails and began playing music before the age of ten. In middle school, several years after Nia took up drums and Rena started on bass guitar, the sisters posted an online ad seeking bandmates and soon hooked up with Miranda (a Florida native and sometimes poet who learned to play piano from her grandfather). Several years later, the trio connected with Casey (a fellow music obsessive who’d picked up guitar at 7-years-old) and asked him to officially join the band with an onstage proposal at the Viper Room. By 2015, Hey Violet had earned a passionate following, largely due to their years of gigging around L.A. Soon after they’d signed with Hi Or Hey Records in March 2015, their debut EP I Can Feel It shot to #1 on iTunes in five countries. After releasing Brand New Moves and playing to a sold-out Madison Square Garden crowd as a support act for 5SOS, Hey Violet added Iain to their lineup and, in early 2017, embarked on their headline tour.

 

Recently nominated for an iHeart Radio award for Best Underground Alternative Band, Hey Violet took home the Next Big Thing prize at last year’s Teen Choice Awards. As they gear up for a headline tour of Europe, the band members are building up their live show by experimenting with electronic production and creating their own interludes to weave throughout each set. “Over the past year we’ve become much more self-sufficient as a band,” says Rena. “We put all of our hearts and our souls into this album and came up with something that we all love and feel really connected to, and because of that we’re stronger than ever before.”

Kolade Olamide

Rising artist  Kolade Olamide has released a killer album dubbed ‘Hit List’ which effortlessly fuses Electro, R&B, Pop and Dance.

‘Hit List’ continues to bring out Kolade’s compelling lyricism and razor sharp production prowess.

Kolade has built his reputation on being a talented lyricist, a prolific songwriter and a dope music producer.

“My love for creative writing has led me to pen original lyrics so I am like a storyteller using music to tell stories. I started as a lyricist, making beat and putting my lyrics into music which has given room for a lot of hit songs”, said Kolade.

Kolade Olamide Ayodeji - Hit List - 3000

“The album titled ‘Hit List’ is part of this vision of turning my writing to music as a prolific songwriter that has ventured into multiple genres like Dance, Pop, Hip Hop, R&B, Electronic and Rap”, he said.

He further cements his mark on the music industry today by not limiting himself to one genre as he produces Pop, Hip Hop, Dance, Rap, Country, R&B and Gospel.

His unique hit making ability is compelling and he’s well-known for composing songs with hooky melody and groundbreaking beats.

Multi-talented Kolade writes, arranges, produces and promotes his own music.

“Hit List” has seen airplay on multiple radio stations across the world.

Kolade’s hauntingly beautiful video ‘Trap in the night’ has already clocked over multiple views on YouTube.

He’s an artiste of rap genre as well as a gifted poet and he’s been a major game changer in the domain of contemporary music.

‘Hit List’ is released on Kolade Olamide Ayodeji Entertainment, the songwriter’s own independent record label.



Post Malone Invades Oxford Social Club

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Photo credit: Arlene Ibarra

Over the weekend, hip hop artist Post Malone shut down San Diego’s newest hot spot, Oxford Social Club with an unforgettable performance for Friday night party-goers. Arriving cool and casual dressed with his entourage in tow, Post Malone, stopped to take pictures and sign autographs with fans before hitting the stage.

 The crowd went wild when the “White Iverson” artist got on the mic to perform his hit songs “Too Young“, “Flex” and current Billboard charting hit, “Congratulations“. Malone kept the party going, performing even after the lights came on.

CONGRATULATIONS TO FABOLOUS! BROOKLYN BOROUGH PRESIDENT ERIC L. ADAMS PRESENTS FABOLOUS WITH “KEYS TO BROOKLYN”

On Sunday June 11th 2017, Brooklyn Borough President Eric L. Adams headlined his second annual Central Brooklyn Arts & Culture Weekend with a “Welcome Back to Brooklyn” ceremony that bestowed engraved pavers along the Brooklyn Botanic Garden’s famed Celebrity Path, as well as the “Keys to Brooklyn” to multi-platinum hip-hop star Fabolous and groundbreaking abstract/neo-expressionist artist Jean-Michel Basquiat (posthumously), both of whom are world-famous sons of the borough. Since 1985, more than 160 Brooklynites who have gone on to make outstanding contributions in art, business, film, literature, music, sports, and more have had their names inscribed on this walkway.

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GLASS ANIMALS ANNOUNCE FALL NORTH AMERICAN HEADLINE TOUR

Run Will Include September 21 Show At Los Angeles’ Shrine Auditorium
And October 5 Concert At NYC’s Radio City Music Hall
 
Tickets Go On Sale To General Public This Friday, June 16
 
Band’s Summer Tour Includes Sold-Out July 26 Show At
Red Rocks Amphitheatre In Colorado
 
Festival Performances Include Glastonbury, Firefly, Panorama, Lollapalooza And Austin City Limits
Today, Glass Animals announced their third North American headline tour of 2017. The run will kick off on September 14 with a Summerfield concert at Memorial Stadium in Boise and include a show at Los Angeles’ historic Shrine Auditorium (September 21) and the band’s first concert at Radio City Music Hall in New York City (October 5). Additional East Coast dates include shows at Agganis Arena in Boston (October 7) and the 9:30 Club in Washington, DC (October 8). Glass Animals will cap off the tour with a performance during Weekend Two of Austin City Limits Festival (October 13-15). See below for itinerary. Tickets go on sale to the general public this Friday, June 16, via http://glassanimals.eu/.
The band’s riveting live shows have contributed to its incredible global growth, resulting in sold-out excursions throughout the U.K., Europe and Australia.Glass Animals return to Glastonbury on June 23 for a performance on the “Other Stage.” While in the States this summer, the band will play a series of headline dates, including a sold-out July 26 show at Colorado’s Red Rocks Amphitheatre, and perform at such festivals as Firefly, Panorama, Osheaga and Lollapalooza.
Even a broken ankle couldn’t keep lead singer Dave Bayley from crowd surfing during the band’s Coachella set, cited as a festival highlight by Billboard, which praisedGlass Animals’ “dynamic rendition” of “Gooey.” Reviewing the band’s recent sold-out show at London’s Brixton Academy, The Telegraph said, “To watch Glass Animals is to get sucked into a musical maelstrom: they pull you in, fill your head with opalescent oddities, then spit you out, woozy.”Watch Glass Animals perform “Life Itself,” the lead single from How To Be A Human Being, on “Later…with Jools Holland” HERE.
Glass Animals’ Spotify Live + Tumblr IRL session is out now and availableHERE. The EP was recorded during a one-of-a-kind Tumblr IRL event at The Village in Los Angeles, which featured not only a performance by the band, but also an immersive collaboration between Glass Animals, multimedia designer Ashten “Whoopi” Winger and Ukrainian Pixel artist Mykola “Myk” Dosenko. This collaboration brought to life the diverse group of fictional characters featured on the new album, How To Be A Human Being, which was inspired by real people the band encountered while touring over the past two years. Glass Animals have continued to bring these characters to life with interactive sites for “Life Itself,”“Youth” and “Pork Soda,” as well as a video game app for “Season 2 Episode 3.”
How To Be A Human Being (Harvest Records) debuted in the Top 20 of the Billboard 200 and topped the iTunes Alternative Albums chart in the U.S. and Australia. Named as one of the “10 Best Albums of 2016” by USA Today, it has racked up more than 60 million Spotify streams in the U.S. The Associated Press hailed it as “a complex, exciting tapestry of a CD which switches musical styles and reveals new things each time it’s played.”
Glass Animals’ new single, “Pork Soda,” recently impacted Alternative radio in the U.S., and has already amassed more than eight million streams on Spotify worldwide. View the official video HERE.NPR Music placed “Life Itself” on its list of “Songs We Love” while “Youth” appeared on their “10 Songs Public Radio Can’t Stop Playing” list. How To Be A Human Being is the follow-up to Glass Animals’ 2014 debut, ZABA, which contained the hits “Gooey” and “Black Mambo.”
GLASS ANIMALS – NORTH AMERICAN TOUR DATES
Newly added dates in bold
 
6/12 – Louisville, KY @ Iroquois Amphitheater
6/14 – Norfolk, VA @ The NorVa
6/15 – Dover, DE @ Firefly Music Festival
7/25 – Salt Lake City, UT @ The Complex
7/26 – Morrison, CO @ Red Rocks Amphitheatre w/Little Dragon
7/29 – Cooperstown, NY @ Brewery Ommegang w/Little Dragon
7/30 – New York, NY @ Panorama Music Festival
7/31 – Pittsburgh, PA @ Stage AE w/Little Dragon
8/2 – New Haven, CT @ College Street Music Hall
8/3 – Portland, ME @ Thompson’s Point
8/4 – Montréal, QC @ Osheaga Festival
8/5 – Chicago, IL @ Lollapalooza
9/14 – Boise, ID @ Summerfield @ Memorial Stadium
9/15 – Troutdale, OR @ Edgefield
9/16 – Seattle, WA @ WaMu Theater
9/19 – San Diego, CA @ Humphreys Concerts By the Bay
9/21 – Los Angeles, CA @ Shrine Auditorium
9/22 – Berkeley, CA @ Greek Theatre
9/25 – Denver, CO @ The Ogden Theatre
9/27 – St. Paul, MN @ Palace Theatre
9/28 – Chicago, IL @ Aragon Ballroom
9/29 – Detroit, MI @ Royal Oak Music Theatre
9/30 – Columbus, OH @ EXPRESS LIVE! – Outdoors
10/2 – Toronto, ON @ Massey Hall
10/3 – Montréal, QC@ Metropolis
10/5 – New York, NY @ Radio City Music Hall
10/6 – Philadelphia, PA @ The Fillmore
10/7 – Boston, MA @ Agganis Arena
10/8 – Washington, DC @ 9:30 Club

10/12 – New Orleans, LA @ Mardi Gras World
10/13-15 – Austin, TX @ Austin City Limits

Interview with the 2017 Poster Artist: Pixel Pancho

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Born in Turin in 1984, Pixel Pancho was introduced to color and form by his grandfather, who painted occasionally. With time, his passion for art and design led him to the Albertina Academy of Fine Arts followed by the Academy of Fine Arts in Valencia, Spain, where he obtained his degree. It was in Spain that he became familiar with the graffiti and street art scenes and began working on outdoor surfaces with spray cans and markers. Traveling between Turin and Valencia, Pixel Pancho took every opportunity to make his mark, using different media such as tiles, wall painting and sticker/poster art, eventually expanding across Europe.

Pixel Pancho’s work is drawn from several diverse influences. Traces of Joaquin Sorolla, Salvador Dali and the political painter group “El Equipo Cronica” to the more modern Ron English and Takashi Murakami can be seen in his works. Traveling extensively for graffiti jams and gallery exhibitions has allowed his style to evolve from a simple robot character to the more complex compositions in his work today. The narrative in Pixel Pancho’s art is driven by a forgotten world that sits under a blanket of dust. In it, broken and dented robots are found decaying into the ground, their iron and rusted copper bodies falling and laying as if discarded into oblivion. Although the scale of his work ranges, the surreal realm is a constant thread, piercing through contemporary and historical references that add a sense of relevance within our place and time. The strength of physical and gestural references that humanize these robots results in the artist’s unmistakable mark. Found on the walls of abandoned buildings in cities throughout Europe, the U.S. and Mexico, Pixel Pancho’s design is an interconnected structure of stories. The murals, the paintings, the sculptures in the end are only a small part of something greater, another story within the ever-growing realm.

Chicago is a city that loves its parades. St. Patrick’s Day to Thanksgiving, presidential inaugurations to baseball championships, and Helenic Heritage to Pride — there are plenty of opportunities to hit the streets and fly your freak flag. For the 2017 Lollapalooza poster, Pixel Pancho played on that tradition and imagined Lollapalooza as an old-timey street fair complete with marching band. His version gets a surrealist spin with the musicians as robots, one of his signature motifs, powered not by gears but by the greenery of Grant Park. While the execution is vintage in style, they march forward to today, when Lollapalooza will once again fill Chicago’s streets with music.

Read more about Pixel Pancho in our interview about his background and inspiration for the 2017 Official Lollapalooza poster.

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You have an inspiring story. Tell us a little about yourself and how you got started on the path of becoming a world-renowned artist.
When I was a child I used to creates things, spending time in my dad’s garage where I start[ed] assembling pieces, fixing bikes. [On] the other side there was my grandpa, a talented amateur painter, who [taught] me the way to express myself trough painting. Then followed the years of the graffiti, the studies and [graduating with] Fine Arts in Spain, [it was] the first big wall… I’ve always believed in what I’ve done, while I was doing it.

We are curious to know what inspires the themes in your work and how the use of earth tones helps convey the story you are telling.
I paint in the way I see the life surround me. Plants, nature, time get me inspired. Robots are a metaphor of life, as the skin [gets] old, the iron gets rusted. The warm tones come from there, from the rust, from the ground, the soil, the leaves, flowers and fruits. Things to which we belong, things we should be grateful [for] instead of] try[ing] to destroy them.

What was the inspiration behind your design for the 2017 Lollapalooza commemorative poster?
I’ve imagined a band who fled from a carillon, one of those [from a] old dusty music-box, feeling free to play the music that they love, with no rules, breaking down the barriers of everyday routine. That is [the] way music [is] supposed to be [for me]. A way to make you feel free, out of market rules.

As an artist, does contributing one of your works to become a part of Lollapalooza’s history have significance for you?
Yes, sure. Lollapalooza in [it’s] history has [been] promoting a lot of music since the ’90s that [has also] accompanied me through this time.

Does music regularly have an influence on your art?
Actually, there [are] no rule[s]. Sometimes I love to hear it loud [while] singing, sometimes I prefer the silence. But, yes, the truth is that some songs have been the soundtrack and the inspiration for some of my works.

Where did the name Pixel Pancho originate from?
[At first,]there was Pixel, it was me. And [also] there was Pancho, a guy from South America who started this project with me. Then one day, our roads moved on different paths, however, I decided to push forward the “cart” of pixels ahead.

Your murals are spectacular masterpieces found all over the world. Are there any special locations around the world that are meaningful to you where hope to paint a mural in the future?
Antartica, sounds weird but this is it.

Do you have any advice for a young artist just discovering their talents?
Never stop studying, keep informed, let yourself be inspired without being too influenced.

We heard you will be attending this year’s festival in Chicago. We look forward to having you there! What are you most looking forward to? Is this your first time at the festival?
Yes, it will be my first time at Lollapalooza. I’m curious as I always [am]. Nothing in particular, [and] everything. “Nothing shocking” [and] everything surprising.